On the Work Table

Creatures pending: two tiny faeries and one tiny Asian ghost, the Hut belonging to Baba Yaga no. 1, Mr. Faun no. 2, possibly another Eros, a Circe. Skeletons of Baba Yaga and Vasilisa no. 2. We shall see more soon. I am also eager to resume the two-dimensional efforts.
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My Great Hobby-Novel

Friends,
    No pictures quite yet, but speaking of the macabre, I’ll taunt you with a snippet from my hobby-novel, with which I play on occasion. Being that my ‘work’ is visual, I find writing a fine flight into play. My ‘book,’ which may well never advance beyond scraps & bits, is a... what to call it: a grotesque, perhaps, concerning a deranged liturgical artist, a woman who’s lost half her face to fire, and a mighty strange sanatorium with it’s own chapel. The deranged artist, Philip Waithe, is painting murals in the chapel, which have to do with my Fiendish Plot. It’s set around 1900. 
    I toy with this dubious opus in first person; a journal for each main character. While I don’t consider myself quite as deranged, and certainly not as homicidal,  as the artist depicted, it does give a place to ‘use’ my own creative processes and curious adventures.
    From Deranged Philip’s journal, which he scratches on the scaffold in the Deranged Chapel, as he lies on a narrow scaffold board in the dome:
...

Philip Waithe, date unknown:

“I have lain seven  hours with Lazarus, and still I cannot see his face. I have caressed the winding cloth with ocher and sienna, touched the feet with a merest sliver of vermilion, yet the head where the spirit must look out remains blind.

It cannot be forced.

I look away. I shift on my narrow bed, and am held in an arc of scarlet tipped quills and gold. I  spread my arms into nothing, feel the fever bleed out, feel my breath settle, still. I say, Beloved, make me transparent. I wait, I lose thought, quiet my spirit to a flawless water.  I see.  I see reflected there the Descent into Hell.

I have drawn it on the East wall.”
...

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A horrid dream image...

    More pictures anon, kind and patient Visitors! 

    For the moment, just a note on an unsettling dream -- I do love dreams in their deep strangeness, however unpleasant...
    I slept last night after brooding over various and irreparable blunders, and dreamt that I was arriving late and in the night at a hotel room in some distant city. It  was a dim and ordinary room. As I approached the bed, I saw its covers were mussed, though it appeared empty.  Then  I perceived a dreadful thing protruding from under the blanket: it was a strange naked foot on a bone-thin leg, human-seeming yet somehow wrong. It took a moment of loathsome staring to see that in place of toes, the foot possessed human fingers, long and curled, and somewhere, I think, a thumb.
    There was no place for the rest of a body in those deflated bed clothes.  

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“Birds with Human Souls”

    A delightful book called Birds with Human Souls, A Guide to Bird Symbolism (Beryl Rowland, 1978) was given me by a dear friend (Cindy! You!). Amongst many a wonder, it tells of ancient Athenian coins on which “a chubby, smiling goddess with a plain helmet appeared with a well-groomed, self-confident owl.”
    It mentions the great flock of owl coins produced from the Laureotic silver mines, and quotes the most charming depiction of financial prosperity I’ve ever read:

Little Laureotic owlets
Shall be always flocking in:
You shall find them all about you,
As the dainty brood increases,
Building nests within your purses;
Hatching little silver pieces.

              ~ Aristophanes, The Birds, c. 414 BC

May many dear little owlets roost with us all during the coming year...

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