
'Bast' by Lou
'Bast' by Lou
“The Ancient Cloak”
by Lou P. Rogers,
a.k.a. Villiers, Dyson and Vaughn
a.k.a. Greenwood, Wingfield and Underhill
a.k.a. Marl Jones
a.k.a. Orion
Kind Friends:
I must go to Colorado, likely to see my mother, Lou, out of this world within a few weeks. One thing I plan to do is post a lot more of her work. It would be a great thing to have your comments on it when I do, that I might share them with her. So, please check back here before too long -- perhaps a week or so!
My thanks for the kind and buoyant words so many have already sent and left -- it makes a great difference in the artist’s world.
My best,
Forest
In Kato Polyclay, with mohair.
Friends: one of those human crises that rise up and shatter the round of one's daily world has reared its head here, and I may be MIA a while longer.
Meantime, many, many thanks for the bounty of kind words that you, gentle viewers, have left for me. I am no good at all with Time, at least not in its finite, measured guise, as you who've written me and not yet heard a peep will have gathered. But rest assured I hoard all you comments and questions, and you will eventually get an answer, antique though it may be...
Yours,
Forest
A Selkie and her Seal to appear soon... And I myself shall reappear, as well.
When she’s finished, this strange little hybrid herb-gatherer is going to live with a kind (and exceedingly patient) friend in London, who is herself an herbalist.
Kato Polyclay over full armature of gold-plated wire and Aves Fixit Sculpt. Wings are distressed silk gauze.
Brushed Kato Polyclay over gold-plated wire & archival tissue paper. The tissue paper & wire were coated with PVA glue and allowed to dry, supplying the clay with a congenial surface. Several colours of Pearl Ex powder, from Jacquard, were brushed on, as well. This was the first pair I made in this way, actually. Now I prepare to attach them to somebody.
In 1987 the Carnegie Museum of Natural History, Pittsburgh, launched its model dinosaur line, “The Carnegie Collection”. I’ve worked with them since the beginning of that series, creating each creature with the guidance of the Carnegie’s experts, and learning a great deal the process. This is Caudipteryx, first the polymer clay original, with two painted resin prototypes below. Needless to say, we have some leeway on the colour, though we try to refer to appropriate living species. I use either Kato Polyclay or Classic Fimo for these models, with inset glass-bead eyes.
A very tiny pair of friends. Kato Polyclay, with brush bristles, and
Genesis heat-set oil paints.
Lou is my mother. I aim to make a large gallery page of her work.
And then there’s social media, of course: