More pictures anon, kind and patient Visitors! 

    For the moment, just a note on an unsettling dream -- I do love dreams in their deep strangeness, however unpleasant...
    I slept last night after brooding over various and irreparable blunders, and dreamt that I was arriving late and in the night at a hotel room in some distant city. It  was a dim and ordinary room. As I approached the bed, I saw its covers were mussed, though it appeared empty.  Then  I perceived a dreadful thing protruding from under the blanket: it was a strange naked foot on a bone-thin leg, human-seeming yet somehow wrong. It took a moment of loathsome staring to see that in place of toes, the foot possessed human fingers, long and curled, and somewhere, I think, a thumb.
    There was no place for the rest of a body in those deflated bed clothes.  

    When a child, I had extremely vivid and usually rather frightening dreams. I suspect many of you have had likewise (and I would love to hear them). It seems to come with the creative realm, somehow. I wrote some of mine down; others have remained impressed upon me with no external help.
    The first two most striking dreams I recall came to me when I was very young indeed, I would guess four or five years old. 
    The  very first was quite charming: I dreamt that I was swallowed by an animated Dragon -- I mean a dragon drawn and painted like an early Disney film. It was an Asian looking Dragon. Inside the Dragon I found all sorts of other living animals, including an enormous rooster, all appearing as in an animated movie. Very colorful. We all wanted a way out of the Dragon’s belly, and at the end of the dream, I was inside the Dragon’s mouth, looking at the inside of its neatly drawn, tightly closed teeth, and wondering how we would escape.
    At that point, the great mouth opened, and I saw, behind and below the Dragon’s Disney fangs, my mother reaching up from the bed and holding the creature’s mouth open with one hand.  My mother and the bed were photographic, ‘real-life’ images, while the Dragon’s teeth were still drawn and painted, forming a frame around my ‘real’ mother. Really pretty wonderful. I’d like to have more dreams like that, but as far as can recollect, I never have.

    The second dream I remember from that earliest time was far darker; perhaps for all its simplicity it could be called nightmare. This one reappeared, within a new dream, a night ago.
    In the original vision, I was a child underground in a long, very long tunnel. It was of damp stone, ancient, low and rectangular, stretching away into darkness behind and before. There was no visible source of light; it was a blackness in which I could yet see.  Far, far ahead of me, and drawing steadily away, was a tall black figure, whom I knew to be my mother. She was remote, and vanishing, and did not know that I was there. 
    I do not now remember whether I stood and watched her dwindle, knowing there was no hope, or whether I moved forward. But soon I heard a slow and regular drip, drip.  I saw to my right and ahead a bucket by the wall of the tunnel. Above the bucket, hanging from a hook by its white, white hair, was a paper-white and severed head, dripping, drop by drop its wine red blood, the only color present in that black-gray realm. It was a solemn and strangely meditative head, oval, almost stylized, rather like the head of a Buddha. Detached, you might say, in more ways than one.
    Nonetheless it woke me.
    This has always been to me The Dream of the White Head. It was one of those which impress beyond the telling, by an atmosphere not conveyable. It has come back to mind, for obvious reasons, since my mother’s death last year.
    A night ago, I dreamt that someone showed me a drawing, in black ink. At first it made little sense. Turning the paper, I saw that it was of a tunnel. Looking longer, holding it up, it shifted in a vertiginous moment like an M. C. Escher image, gaining real, sinking perspective of a sudden, and I saw it resembled The Tunnel, where the White Head hangs. At once upon this thought I also perceived the Head, with its bucket, a tiny scribble in black, but most definitely there.
    Whereupon, I woke again.

I have a bird, Little Ahab, a slightly disabled dove, and my darling. He gazes upon me even now, with one dear beady eye, from a favorite roost atop an eight foot triptych. This bird trusts me (most of the time). Like most domestic birds, he would meet a tragic end, swift or slow, were he to escape outdoors. I have nightmares about him lost, hobbling the gutters, the dim image of his seed, pellet, salad, and treat dishes fading in his tiny, starving brain...

In a recent dream, I found myself inexplicably wandering St. Peter’s Basilica, clutching my squirming birdie in my hands. St. Peter’s: that’s one big place.  I was last there with some hundred and eighty Sisters of Christian Charity, for the Beatification of Mother Pauline Von Mallinckrodt (whose portrait I had done). You can lose 180 nuns in St. Peter's, and their substantial relatives too, never mind one tiny bird.

Throughout the dream I traipsed that vast and intricate marble edifice, Little Ahab wriggling ever more energetically. I realized his escape in St. Peter’s would be as bad or worse than escape in Rhode Island. They’re almost the same size. I’d have to remain in St. Peter’s permanently, for the rest of my life, leaving food for my bird.  Doves have been known to live near 30 years. If fed properly.

Would the great rotunda be the place to sprinkle his dinner? Would he see me, and come? Or would he starve, and, unbeknownst to me, drop behind the great Bernini altarpiece, leaving me to scatter futile Mazuri Small Bird Maintenance Diet near the Pieta until my own demise, years hence...

Like I said, never take your bird to the Vatican.

Below, a detail from my portrait of Mother Pauline, which was full figure and somewhat larger than life. I worked from one photograph; the only one taken of her before her death in 1881.  She had a wonderful face, and a kind heart:

This painting was sent to Milan, as a pattern for a mosaic. There, sadly, it was stolen by a disgruntled liturgical arts company employee, and never seen again.  I also did a large sculpture of Mother Pauline with a child, in plasticine (which weighed near 400 lbs. -- see Liturgical Work gallery). Traveling to Rome and Germany with sisters from the order Mother Pauline founded was wholly fascinating...
But, anon.